Small outdoor landscapes on sale

outdoor painting-philippa Robert-whitewater bridge-2017

Small outdoor landscapes to love are in the spotlight for you until mid-July. They offer little patches of colour and light to make your space sparkle. Have you seen these glimpses of Adelaide and summer-time in England?

My home “curator” has hung a line of them on our salon-hung living room wall and they look really dense and lively with colour and contrasts.

Small outdoor landscapes-Outdoor painting-Philippa Robert-Adelaide South Australia-whitewater bridge-2017-framed

This one “Whitewater Hotel, Newby Bridge” is one of my favourites. The dark tones are in ultramarine and prussian blues which I still feel drawn to. I was inspired by the lovely contrast between the local whitewashed buildings and the greenery.

It is neat and petite, 12.5×17.5cm without the frame but really packs a punch. Full-priced at $150, Whitewater Hotel, Newby Bridge is on sale now for 10% off – just $135.

To paint this work I stood on a footpath near the bridge edged with the dry-stone wall. The road was quite busy at the time as people were off to work on this early summer morning. I met the breakfast chef as he arrived cheerfully for duty (on foot). After a couple of hours work I returned to our cottage for a breakfast cooked by Martin, our host and chef. What a nice start to the day before our cruise on Lake Windermere.

Have you visited the Lakes District?

Mid-month madness – landscapes sale

2017-Mason's Court-outdoor painting-streetscape-Philippa Robert-Adelaide South Australia

Landscapes sale! Somehow July always gets the gig for this feature. It’s mid-way through the year and summer feels so far away. It just isn’t as easy to be outdoors painting landscapes right now. OK, call me faint-hearted.

This year I am starting a little earlier. Mid-year, mid-June. That’s why I am calling it mid-month madness.
Perhaps it’s the winter solstice that sends me a bit crazy? Anyway…
The website is set up for you to find a little painting to love.

From Tuesday 19th June to midnight Monday 16th July I am giving you a chance to start your art collection. Modestly.
If you have already started a collection, you have a perfect opportunity to add to it. Modestly.

So, what are these landscapes?

These little beauties have not been openly exhibited before.
Take a peek here.

landscapes sale-outdoor painting-Philippa Robert-Adelaide South Australia
Harton hedge. 12.5×17.5cm; acrylic, framed.

They have been seen in calendars and an Open Studio weekend, but all in all they have not seen much daylight. Except as they were being created – these are outdoor paintings after all. Most of them were painted on a recent trip to the UK and yes, there was sunlight.
They mark my change last year to a much more colourful palette. There is a certain joy about these. And a directness.

That’s a good start.
Now, all they need are….

New homes to settle in!

New homes can be old places of course. They can be flats or rooms or even a desk.

outdoor painting-landscapes sale-philippa robert-whitewater hotel with pen-2017
Whitewater Hotel, Cumbria. 12.5×17.5cm; acrylic, framed

One of the special features that makes these paintings easy to live with is their size.
They start at 10x15cm. The next size is 12.5×17.5cm. Still easy to live with.
They don’t dominate your space, but they do make it more interesting.
The image above of Whitewater Hotel is shown framed. The length of the pen is actually the height of the painting.
Hence propping on the desk IS a possibility.

So, their small size is a big plus!

Are they affordable?

You may already know that my prices are reasonable. My high end items reach over $1,000 but not much more. They measure up to 100cms in any direction.

And these littlies? They are normally $120 and upwards but – and this is where the madness comes in – during this landscape sale they will be selling at 10% off that price.

Very small prices.

landscapes-sale-2017-Marion's Florist-outdoor painting-streetscapes-Philippa Robert-Adelaide South Australia
Marion’s Florist, South Shields; 12.5×17.5cm, acrylic, framed.

It’s a great way to start your collection (or add to it). Or it might even be time to put a gift away for your “special someone”.

Any hidden extras?

Only good ones!
At the moment I am only selling within Australia and the postage is FREE.
The paintings are framed and ready to hang. Look again at the Whitewater Hotel painting above. This very neat wooden frame is shown. It has a simple profile, is box-style and finished in a charcoal colour. And they are all covered by my guarantee.

landscape gallery

The Studio – Open for business

Harton Hedge-outdoor painting-streetscapes-Philippa Robert-Adelaide South Australia

Open for business again! Yes, it has been a workplace, but we have had only a few visitors over the past few months.
And I think you know what that means. Stuff has built up. Surfaces – well, where are they? Buried or smothered. Dust has collected in the corners.
Now the TO-DO list has become TA-DA! Lots of crossing out with a flourish of the pen. And here’s why….

Open Studio

open for business-Philippa Robert-Adelaide South Australia

Once again I am teaming up with my daughter Jane White to bring you lots of gift ideas at very reasonable prices. You will find plenty of variety, with tiny landscape paintings, stone and string jewellery, calendars, candles and cards on display.

Outdoor paintings

The little landscapes I will be showing are all from outdoor excursions, some of which took place in the United Kingdom earlier this year. Here is a peek at one.

Harton Hedge-open for business-Philippa Robert-Adelaide South Australia
Harton Hedge, acrylic on canvas panel.(12x17cm approx)

We invite you to drop in for a browse and a chat. Check out the facebook page for the address. Otherwise you can send me a message via my contact page. This is a busy time of year already, but if you can make it Jane and I would be delighted to welcome you. The weather should be cooler by the weekend too.

Elements of Painting

landscapes-2016-outdoor painting-Philippa Robert-Pines and vines, McLaren Vale

Three elements of painting

These three landscapes seem to group together for a number of reasons. Together they show some of my favourite elements of painting.

Painting Elements: 1 Structure

Architecture can add structure to a painting, but not automatically. It needs to be integrated into the composition.  In this Walkerville landscape the white partitions of the building make a strong skeletal underlay for the foliage. If you look really closely that skeleton is loosely echoed in the stretch of fluorescent plastic “danger” fencing.

more landscapes-from Linear Park, Walkerville-Philippa Robert-Adelaide South Australia
From Linear Park, Walkerville

Painting Elements: 2 Rhythm

more landscapes-outdoor painting-PhilippaRobert-Adelaide South Australia-Berry farm Piccadilly Valley
Berry farm, Piccadilly Valley

Piccadilly Valley is one of my favourite painting destinations at any time of year, but it has a special attraction in autumn. I guessed that this was a berry farm because of the different shades of colour on the vines or bushes. The rhythm of farmlands and market gardens are always interesting to me. Patterns appear and disappear and help define the landscape.

Painting Elements: 3 Simplicity

more landscapes-2016-outdoor painting-Philippa Robert-Pines and vines, McLaren Vale
Vines and Pines, MacLaren Vale

This painting is a simple one, and that is its strength.

In painting, simplicity can come about through choice of subject. Usually however it takes more than that. The essence of simplicity in painting is leaving things out so that the focus can be more easily perceived. So it is about omission, exclusion and ignoring what doesn’t help the composition. As a painter who can be distracted by all sorts of visual delights I have to work at this!

So, structure, simplicity and rhythm.

Structure is easily captured with a crisp architectural subject but is highlighted here by contrast with colour and softness in “From Linear Park, Walkerville.” The rhythms of the rows of vines down the hillside in “Berry farm, Piccadilly Valley” and the pines marching over the hill in “Vines and Pines” are pleasing to the eye.

Viewing a painting can be a bit intimidating. But when I find rhythms they offer a form of visual comfort somehow. Repetition and patterns also make pictures easier for me to enjoy. So perhaps it’s no wonder that I try to include them!

What do you think about rhythms and repetition in painting?